Tag: Art

  • The Bloom Project

    The Bloom Project

    This month I have started to experiment a bit. I have spent the better part of a decade fascinated with birds and using them as my main subject matter in my art, but I got the itch to start playing with something different. I was watching the hilarious and poignant Netflix show “Sex Education” when they started talking about vulva’s and shame. And it hit hard for me. I have felt for a long time that my body is some how “wrong” because I don’t look like what is represented in main stream media. And it turns out I am not alone. Women don’t seem to know what normal is or even that there is no normal!

    I love bio diversity and that’s one of the main reason’s I’m so drawn to birds. But I thought I should take a moment and turn that highlight on personal diversity too. As I dove down the rabbit hole (or vagina as it were) I discovered many woman have been celebrating the vulva and all it’s glory long before me. Including Judy Chicago’s “Dinner Table” and Hilde Atalanta’s “The Vulva Gallery“. I know what I am doing is not new and it doesn’t have to be. It’s not about creating something ground breaking, we’ve been talking about vulva’s since Georgia O’Keeffe (and probably long before that too!). It’s about becoming more comfortable with my own body and no longer looking to other’s for approval or validation. I wanted to celebrate the wobbly bits, labia majora and minora in all their glory. Showing that they come in all sorts of colours, sizes and shapes. It’s not about fitting into a neat little homogeneous box, it’s about loving yourself and all your amazingly wonderful variations.

    If you connect with me and my work and would like your own perfectly imperfect vulva, head over to my shop page now. Each one is completely individual and no two are the same, just like us 🙂

  • Why Birds?!

    Why Birds?!

    This is a question I’ve been asking myself for a while, “What’s with all the birds Tracey?!” And the simple answer is, I don’t really know… 

    It’s not something that has been a rational choice. I don’t have a manifesto about the social implication of flight or the environmental consequences of species loss. I can’t sit down and tell you what my intellectual intention behind a piece is, and honestly, for a long time that has made me feel like less of an artist. I used to think you must have something to say and make people stop and think. But my personal approach to art is more feeling and less thinking. I am a visceral artist. I don’t make art to make a point, I make art because it makes me feel good to make something beautiful and I hope it makes people feel happy to see something beautiful.

    Right now I choose to celebrate the beauty in birds because I seem to be endlessly fascinated by them. It’s the curve of their necks, the graphic shape of their form, their strange staccato movements, their ability to take flight, their wildness, their diversity, their colour, their songs … They interest me on so many levels and maybe one day I’ll put into better words why I am so drawn to them but for now it simply boils down to I think they are pretty.

  • Covid Art Residency

    Covid Art Residency

    While the world has been locked away in our homes, physically distancing and wondering how everything could change in a few months’ time, I have been in my studio. I’m calling the last three months my Covid Art Residency and it’s actually been a joy for me. I realize I shouldn’t take pleasure in the midst of so much sickness and global unrest, but you have to appreciate the beauty of the sunset even when the world is burning right. Ever since I finished my house reno, and dedicated myself back to art, I have been waiting to try something new. I started out as a watercolour painter and I still love the liquid, unpredictable, fluidity of a good watercolour bleed; and wanted to incorporate that into my textile work. I started off March by buying a bunch of paints, dye and fabric with the intention to just experiment. Sometimes experimenting in the studio is like playing and other times it’s like banging your head against the wall trying to create the “vision” in your head. Maybe it was because of the addition of the stressful times but this experimentation was more painful than anticipated. In the end though I discovered organza and how it takes dye really well but doesn’t bleed too much. I worked with a few pieces incorporating watercolour painting on organza and like how things are turning out but there is still more experimenting to be done!

  • Mountain Made – A Craft & Artisan Market

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    Come down and see me in Canmore on June 1st 2013. I’ll be selling some of my lovely fabric sculptures along with 30 other talented vendors. There is no charge for admission so there is no reason not to come down, have a look around.

  • Whale Mobile

    whale-mobile

    A good friend of mine has given birth to a beautiful little baby boy. As a gift I have made her a whale mobile. I am really quite pleased with how it turned out, hopefully she is too! Click here to see the full sculpture.

    whale-mobile-2

  • Goldfish

    orange pattern goldfish

    A new sculpture I just finished. I was originally thinking a mobile, but i like the plinth, it feels more solid but still has some nice movement. Click here to see the full sculpture or click on the article to see close ups of the other two fish.

    yellow goldfish

    orange goldfish

  • Charity Fabric Sculpture

    Fabric and wood sculpture of birds

    I just finished this sculpture today. It’s my contribution to a charity auction this weekend for The United Way. Inspire people to bid high my pretties!